Saturday, March 29, 2014

Gooks Don't Get Redskins Joke

Gooks Don't Get Redskins JokeS

Wednesday's episode of the Colbert Report, a satirical television program in which Stephen Colbert satirically plays a conservative buffoon, featured a segment on actual buffoon Dan Snyder's Washington Redskins Original Americans Foundation, which was announced this week amid renewed protest against the team's nickname. The organization, according to the team's press release, will "offer genuine opportunities for Tribal communities." Of course, if Snyder had had the courage of his convictions, he would've called the group the Washington Redskins Foundation for Redskins. But in any case he came off as nothing so much as a man buying an indulgence for sexual deviancy with a check signed by his penis. It was pretty funny.

Anyway, during the segment, Colbert made a callback to a 2005 episode of the show, in which Colbert, in character as a satirical conservative talk-show buffoon, was "caught" making racist jokes about Asians. After the callback, Colbert, in character, said he would atone for his racism by establishing the Ching Chong Ding Dong Foundation for Sensitivity to Orientals or Whatever. The satirical buffoon would make like the actual buffoon. He would try to buy an indulgence, and in so doing he would sin anew. The joke worked because the comedian had chosen a slur of similar pitch and degree to "Redskins"—or "gooks," for that matter—whose absurdity would be plain to any viewer, racist and non-racist alike, one whose earnest usage nowadays elicits no more than sigh of pity. It was pretty funny.

After the show, the official Colbert Report Twitter account—which is always in character and not controlled by Colbert himself—sent out a now-deleted tweet that read: "I am willing to show #Asian community I care by introducing the Ching-Chong Ding-Dong Foundation for Sensitivity to Orientals or Whatever." That's when this happened:

Suey Park is, for lack of a better term, a Twitter activist. So it matters, to whatever extent things like this matter, when she starts a hashtag. Whether Park didn't get the target of the joke, failed to understand the basic premise of the show (unlikely, since she considered herself a fan at one point), or was just bent on manufacturing outrage isn't clear. But the root of Park's issue with the Colbert Report doesn't really matter, because her tweet riled up the perpetually riled-up segment of Twitter, and the #CancelColbert hashtag was soon flooded with a mind-warping mix of left-wingers and Asian activists refusing to understand satire and right-wing zealots who jumped on the opportunity to funnel as much false outrage as possible in Colbert's direction, all of this awfulness culminating in Dave Zirin showing his ass on Twitter. It was pretty stupid.

We will bet all the money in our pockets against all the money in Dan Snyder's that there was no one happier last night than Snyder himself, who saw the lampooning of his half-a-loaf measures to atone for his team's nickname give way to the willful misapprehensions of a single Korean-American shit-stirrer. Snyder had hired Lanny Davis to launch a PR campaign that would somehow take the stink off his doomed defense of a racist name, but now he had a friend in Suey Park, too, who in focusing on her own claim of racial grievance—what happened to intersectionality?—moved the debate away from the issue of Native American nicknames and onto the question of whether Snyder's critics are taking an appropriate tone. That is exactly where Davis and Snyder want to see it go.

The two authors of this post happen to be Korean-American—one of them, like Suey Park, is a Korean-American from Illinois. We find Suey Park's reading of the joke to be, as the activists like to say, incredibly problematic; it flattens out all meaning and pretends, in effect, that there is no ironic distance between Jonathan Swift's satire and actual cannibalism, not to mention that it's tighter-assed than life itself, as a funny white man once said. We find it even more problematic that she has created the misdirection that Snyder usually pays good money to Lanny Davis to provide.

If Suey Park wants somebody to get pissed at, she should consult Dave McKenna's indispensable "Cranky Redskins Fan's Guide to Dan Snyder." There, she'll find the following:

"Emulate Charlie Chan": What Asian actors trying out for a mascot job at Snyder-run Six Flags were allegedly told during 2008 auditions. After the 2006 firing of Mr. Six, the longtime mascot Snyder deemed "creepy," the theme park chain's marketing team hired a Japanese actor to scream "More flags! More fun!" in a vaguely Asian accent in TV commercials. The Chicago chapter of the Japanese American Citizens League, which publicized the "Charlie Chan" angle, was among the advocacy groups critical of the effort. The campaign was canceled very shortly after its debut.

#CancelSnyder. Trend it.

How can the National Park Service "reintroduce the national parks … to a new generation of Americans

How can the National Park Service "reintroduce the national parks … to a new generation of Americans"? It can start by making sure its workforce looks more like America: "The staffing at the Park Service has remained perpetually and overbearingly white throughout its century-long history."


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Zen Koans Explained: "Learning to Be Silent"

Zen Koans Explained: S

If a toad sits in the sun, why does he do it? "To be warm," you might say. But have you asked the toad? It's possible that you have, but not probable.

The koan: "Learning to Be Silent"

The pupils of the Tendai school used to study meditation before Zen entered Japan. Four of them who were intimate friends promised one another to observe seven days of silence.

On the first day all were silent. Their meditation had begun auspiciously, but when night came and the oil lamps were growing dim one of the pupils could not help exclaiming to a servant: "Fix those lamps."

The second pupil was surprised to hear th first one talk. "We are not supposed to say a word," he remarked.

"You two are stupid. Why did you talk?" asked the third.

"I am the only one who has not talked," concluded the fourth pupil.

The enlightenment: The fifth pupil, who did not talk, has been completely forgotten.

This has been "Zen Koans Explained." The toad said.

[Photo: Shutterstock]


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Texas Monthly editor Jake Silverstein is the new editor-in-chief of The New York Times Magazine.

Texas Monthly editor Jake Silverstein is the new editor-in-chief of The New York Times Magazine. According to Politico, Silvertein started out as “a reporter for the Big Bend Sentinel, a weekly newspaper in Marfa, Texas.”


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That Flair Guy from Office Space Lost a Lawsuit Over "Illegal Flair"

That Flair Guy from Office Space Lost a Lawsuit Over S

The actor who played Brian, the flair-obsessed Chotchkie's waiter from Office Space, has lost a lawsuit in which he accused 20th Century Fox of using his image to sell "illegal flair."

Todd Duffey was specifically referring to the Office Space Box of Flair, a kit that contains 15 of the 37 buttons you'd need to be a model Chotchkie's employee like Brian.

That Flair Guy from Office Space Lost a Lawsuit Over S

He claimed that Fox owed him for using his photo on the product's packaging and the enclosed "Guide to Flair" book, and using his image as the flair guy to sell the product. He wanted damages, attorneys' fees, and "the destruction of the illegal flair."

No dice. Duffey signed away all his promotional rights for Office Space in a day player agreement, including the right to use images from his performance to sell crappy spin-off products.

Here's U.S. district court judge J. Paul Oetken expressing himself in a decision to dismiss the case:

"There is only one reasonable way to read the relevant terms: Duffey granted Cubicle all rights to 17 images of his performance in Office Space, including the right to use his image on Office Space merchandise."

In case you're curious what else Duffey's been up to since Office Space, he wrote a piece for L.A. Weekly last year about his life as "That Guy." (Spoilers: Typecasting. Free beer.)

[H/T: Consumerist]


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Allen Ginsberg Teaches You How to Give a Blowjob

Allen Ginsberg Teaches You How to Give a BlowjobS

Vocativ has published a lengthy profile of Marcus Ewert, who bedded not one Beat, but two: Allen Ginsberg and William Burroughs. This all started in 1988 — Ewert was 17, Ginsberg (who'd later come out as a member of NAMBLA) was 62, and Burroughs was 74. Ginsberg had his way with Ewert and then passed him onto his friend Burroughs, whom Ginsberg decided could use a good lay.

If that all sounds like a great time, get a load of Ginsberg's blowjob technique, as revealed in this quote by Ewert:

Basically he blew me; that was a big part of it. And he was really good at it. He did this thing where he had his hand and his mouth working at the same time, and he'd take time out to explain to me what he was doing. He was like, 'See, you do this with your hand so that way your partner's penis is always being touched, and when your mouth is off it, your hand is there and it keeps it warm and it keeps the sensation constant, and that shows real consideration to your partner.' It's very Allen that he's always peppering anything he's saying with little tutorials. But I was totally down for that—it was what I'd signed up for. I wanted the tutorial, I wanted to understand how the fucking world worked. I wanted somebody to help me and mentor me.

(The technique works, by the way.)

As for sex with Burroughs, Ewert says, "I think it was just hand jobs and humping."

[Image via Getty]


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Scalia, in Brooklyn, Says He Can't Judge Hate or the NSA

Scalia, in Brooklyn, Says He Can't Judge Hate or the NSAS

Antonin Scalia, the longest-serving active justice of the Supreme Court, has a great deal of charm at his disposal, in person. From a distance, it's easy to imagine Scalia as a sort of aloof, smoldering demon, throwing cruel barbs at popular notions about justice and progress. Yet he is dear friends with Ruth Bader Ginsburg.

Nicholas Allard, the dean of the Brooklyn Law School, mentioned that friendship last Friday, on the stage of the opera house of Brooklyn Academy of Music, before bringing Scalia out to meet the crowd. The dean also mentioned that Scalia has written more concurring opinions than any other justice in the history of the court, along with his copious body of dissents. Grumpy and dismissive as his official persona may be, Scalia wants to be heard.

And the crowd wanted to hear Scalia. The event, in which the Fox News host and former judge Andrew Napolitano would be asking the justice questions, had been relocated from the law school campus to the opera house to accommodate demand. Two wooden chairs with padded seats waited, on an Oriental rug.

Scalia took the stage with an arm-swinging walk and took the chair at stage left. He wore a suit with narrow pinstripes; his necktie was yellow; the top of his dark hair has gone white. As he settled into his chair, he kicked out both feet, a childlike movement. He kicked them out again. Maybe his legs were stiff.

Napolitano is a dear friend of Scalia's as well. He supplied an introduction after the introduction, in which he told a story about how the two of them had been dining together in a restaurant once and some of his own fans had come over to greet him, completely ignoring the famous and powerful justice at the table. TV professionals have a way of telling stories like these.

Then they were off, with Napolitano gently goading Scalia about the idea that American law might recognize certain inherent transcendent rights, so that Scalia could cheerfully reject the concept, in favor of his own doctrine of originalism. "You're a big natural-law freak," Scalia said. That, the justice said, is the province of philosophers and theologians and other specialists, of which he is not one.

"I'm a lawyer," Scalia said.

The gist of Scalia's legal philosophy, as he wishes it to be understood, is that whatever abstract and universal ideas may have inspired the Founders were codified into the Constitution, at which point their abstract or universal nature ceased to apply. All that remained, going forward, was the specific text of the Constitution and subsequent legislation: "I enforce American law, and it's up to the American people to conform that to natural law."

Scalia salted his remarks with similarly tidy constructions: "The rule of democracy is the majority rules." "The text is the text." "A liberty is a liberty." At the bottom of every hotly contested issue, he finds a self-evident principle, demonstrating that there is nothing even to be contested.

"Did the Eighth Amendment bar the death penalty?" he asked at one point. "Not a hard question." The people who wrote the Eighth Amendment practiced the death penalty, ergo its prohibition of "cruel and unusual punishments" could not possibly exclude capital punishment. The only question, he said later on, is "Is the electric chair any more cruel than death by hanging?"—the presumption being that the answer was clearly that it was not.

The rhetorical underpinning of all this was Scalia's notion of humility. Again and again, he returned to describing himself as a lawyer—that is, a mere technician, bound to work only with the textual tools he had been provided with. "What prepared me to decide these cosmic moral questions?" he asked. "Harvard Law School?"

It was a good question, but not as expansive as it could have been. Theology and philosophy are not the only technical specialties in the academy; people also spend years training to become historians or linguists. One might deem those skills essential to understanding precisely why documents drafted by a committee of educated 18th-century men in the former British colonies used certain words and phrases and not others. Yet Harvard Law doesn't give out Ph.Ds in those disciplines, either.

That lack of expertise didn't prevent Scalia from going on an extended disquisition on the significance of the word "the" in the Bill of Rights—a critically important word, in his reading. Americans do not enjoy "freedom of speech," but "the freedom of speech"; that is, the Founders, in the process of converting abstract law to a fixed code, guaranteed only "what was the right of Englishmen in 1791."

Not that Scalia isn't willing to take a broader view. "No one should be a strict constructionist," he said. "That is stupid. Texts should not be interpreted strictly, they should be interpreted reasonably." So: "The reasonable meaning of the First Amendment is freedom to communicate, whether you do it by semaphore or by burning an American flag."

The flag-burning subject gave Scalia a chance to demonstrate his personal modesty. "I would send that guy to jail so fast if I were king," he said. The flag-burner who came before the court in Texas v. Johnson, he said, was "a bearded weirdo, sandals, long hair and everything." But the sensibilities of Scalia the opinionated human had to yield to the textual restrictions on Scalia the lawyer. "I am not king," he said, cheerfully throwing up his hands.

Scalia used his hands constantly as he spoke. He is a gifted extratextual communicator, his words constantly shaded by his tone, his gestures, and the comic application of his stern, heavy-lidded gaze. Frequently, he spoke ironically or from an assumed persona, so that the audience understood that he meant something opposite to or aslant from his literal words. He cited the teaching powers of "Harvard Law School, or even Yale Law School," in a way that clearly treated the high end of legal academia as ridiculous, even as he seemed to endorse the hierarchy among elite schools.

But he did all this in a venue where video and audio recording were forbidden. So you'll have to take my word for it. He was funny, even if the evidence is not necessarily there in the text.

Ultimately, Scalia's legal humility is meant for other people. It's his fellow justices who keep overreaching, failing to recognize the commonsense limits on their power. He clings to his integrity, in a neatly closed intellectual loop. Originalism, he said, "is really the only possible criterion for how a judge should apply the Constitution....What other possible criterion is there?"

Obviously his colleagues must believe that there are other criteria, but Scalia excludes those possibilities. He may delight in Ginsburg's company, but he does not even try to reach her on legal matters.

"I have never discussed legal philosophy in depth with any of my colleagues," he said. He theatrically imagined the result, if he did: "'My God, Nino, you're right!'" His meaning was that he did not expect the other justices ever to say any such thing.

"No, it's too late," he said. "It's too late for them and their generation."

So he makes his arguments after the fact, for posterity. "I write my dissents for the students at law schools," he said.

It was sometimes peculiar which matters struck Scalia as airtight, and which did not. In another aside on language, he meditated on the absurdity of "substantive due process": "The world is divided into substance and procedure," he said. (Recall, Scalia is not a trained philosopher.) Substantive process was inherently nonsensical. "It's the opposite of procedural substance," he said. The little word "due," floating in the middle in a cloud of unexamined assumptions, went unexamined.

Nor did he convincingly articulate why it was reasonable to interpret the First Amendment's protection of "speech" broadly, but the Fourth Amendment's protection of "persons, houses, papers, and effects" narrowly. He ticked of those those four items multiple times, even using his fingers, to express the formal limits on privacy.

One of those recitations came up when Napolitano raised the question of the secret court proceedings that govern the NSA's surveillance. "I don't want to get myself recused," Scalia said. He went on to argue, though, that the court had brought disaster on itself long before when it decided that wiretaps fell under the Fourth Amendment. Now, he said, decisions about the surveillance state must be made by the branch of government "least competent" to make them.

"My court doesn't know diddly about the degree of the threat," he said.

Originalist modesty, then, would apparently demand that the NSA's high-tech Panopticon be allowed to gaze without limit. But in the question-and-answer period, a different possibility came up. Why, a student from NYU asked, wouldn't data on a computer count among a person's "effects"?

"Ooh!" Scalia said. "Ooh! I'd better not answer... It's a really good question. That's fun."

Here, for a moment, was the Scalia of the 21st century, the author of the majority opinion that said that looking at the outside of a house with thermal imaging, for the purpose of picking out what was inside, constituted a search. "It may be effects," he said. "Don't you think that may be effects?"

It was little bit nice and a much bigger bit dismaying. The Supreme Court, on both wings and its center, is populated by people with limited experience of modernity. Search-and-seizure cases are often where this shows up (four justices, including the liberal John Paul Stevens, had disagreed with Scalia's view that thermal imaging would require a warrant). Even so, till this moment, had the possibility really never crossed Scalia's mind that in a world where everything is done by computer, someone's "effects"—let alone "papers"—might be virtual?

This is how a mind, even a clever one, ends up working when it's stuck in a cloister. The final question of the night came from a student who asked Scalia about whether his history of opinions resisting gay rights contributed to the "demeaning and persecution" of sexual minorities. He spoke in a nervous rush, with a trembling voice and none of the justice's ease of manner.

The question—"Is that a question?"—was "ridiculous," Scalia told him. Scalia did not agree with the conclusion that his legal opinions, his reading of the limits of the text, could have "promoted hate in America or abroad."

"If that provokes hate—I can't imagine how it would," Scalia said. "But hate whom you like."

[Photo by Damion Edwards Photography for Brooklyn Law School]


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Here Are Some Sheep Storming the Louvre

You don't really need context to enjoy a dozen sheep (and one sheepdog) running through the halls of the Louvre, but here it is anyway.

Friday's "sheepstorm" was a protest by France's Farmers' Federation against reforms to the European Union's Common Agricultural Policy. They fear cuts to subsidies for smaller farms will speed the industrialization of agriculture and cost farmers their jobs.

"What we can see today is a desire on the part of the agricultural ministry to impose a marginalising policy which will get rid of farmers so we came here to say we don't belong to a museum and that our place is in the countryside, where we can revitalize the countryside, create jobs and develop quality produce, that's why we came here today," said a spokesman.

Officials at the Louvre said no one was arrested and no artwork was damaged.


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President Putin called President Obama Friday afternoon to discuss possible diplomatic solutions to

President Putin called President Obama Friday afternoon to discuss possible diplomatic solutions to the crisis in Ukraine. Obama "urged Russia to support this process and avoid further provocations, including the buildup of forces on its border with Ukraine," according to a White House press release.


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David Samson, the 74-year-old chairman of the Port Authority of New York and New Jersey, has resigne

David Samson, the 74-year-old chairman of the Port Authority of New York and New Jersey, has resigned.


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